Celebridades nacidas en la fecha de julio 01

From Wikipedia, the free encyclopedia. Dominic Keating (born 1 July 1962, height 5' 8" (1,73 m)) is an English television, film and theatre actor, known for his portrayal as Lt. Malcolm Reed on Star Trek: Enterprise. Keating was born in Leicester to an Irish father; his grandfather, a brigadier, was awarded an OBE. His first stage performance was in primary school, playing a character in The Ragged School. He then attended Uppingham School. After graduating from the University College London with First Class Honours in History, he tried various jobs before deciding to be a professional actor. To obtain his Equity card, Keating worked in a drag act called Feeling Mutual. As of 2005, Keating maintains homes in both London and Los Angeles. He enjoys golf, swimming, music, boogie boarding, tennis, reading and travelling.

Tetsu Inada (稲田 徹, Inada Tetsu, 1 de julio, 1972) es un actor de voz y narrador japonés nacido en Hachioji, Tokio. Está afiliado a Aoni Production.

Director, productor, guionista y actor francés, a quien se debe buena parte de los éxitos del cine de este país de los últimos años. Su verdadero nombre era Claude Langmann, uno de esos fenómenos del cine capaces de ser valiosos en todas sus facetas y con fino olfato profesional. Una de sus primeras películas como director, El viejo y el niño (1967), autobiográfica, narraba las peripecias de un niño judío recogido por una familia antisemita durante la II Guerra Mundial, siendo aplaudida con entusiasmo por un joven François Truffaut, ya que la película le había producido un placer intenso. Sin embargo, no todos los críticos de su generación compartieron el mismo juicio. Siguieron otras películas de tintes autobiográficos, Mazel Tov o el matrimonio (1969), Le pistonné (1970), junto al cómico Coluche; Sex-Shop (1972) y Papá, ya no soy virgen (1976), que bastantes críticos consideraron frías y académicas. Claude Berri, como director, no fue siempre querido por la crítica francesa, a pesar de títulos tan notables como La venganza de Manon (1985), El manantial de las colinas (Jean de Florette, 1986) o Germinal (1993), consideradas como las más caras del cine francés, y a pesar también del enorme éxito de público que lograron y de los premios que obtuvieron. Sus trabajos fueron seleccionados numerosas veces para distintos galardones. En este sentido, su carrera no pudo comenzar mejor, obteniendo el Oscar al mejor cortometraje por Le poulet en 1962, su primer filme. Es cierto que sus películas como director miraban ante todo a la taquilla, mientras que como productor respetaba el trabajo ajeno, aunque, eso sí, con talante de hombre autoritario. El león del cine francés, como se le conocía, o el padrino, según otros, fue un cineasta completo, uno de esos insustituibles monstruos del cine, figura que en nuestros días va desapareciendo, cuando se reemplaza a los productores de verdad por simples financieros.

A Vietnamese actress and director, known for Saved! (2004), Man of Steel (2013) and Firewall (2006).

Sue Aikens was born on July 1, 1963 in Chicago, Illinois, USA. She is a producer, known for Life Below Zero (2013), Flying Wild Alaska (2011) and The Joe Rogan Experience (2009).

Karen Blanche Black (née Ziegler; July 1, 1939 – August 8, 2013) was an American actress, screenwriter, singer, and songwriter. She rose to prominence for her work in various studio and independent films in the 1970s, frequently portraying eccentric and offbeat characters, and established herself as a figure of New Hollywood. Her career spanned over 50 years and includes nearly 200 credits in both independent and mainstream films. Black received numerous accolades throughout her career, including two Golden Globe Awards, as well as an Academy Award nomination for Best Supporting Actress. A native of suburban Chicago, Black studied theater at Northwestern University before dropping out and relocating to New York City. She performed on Broadway in 1965 before making her major film debut in Francis Ford Coppola's You're a Big Boy Now (1966). Black relocated to California and was cast as an acid-tripping prostitute in Dennis Hopper's road film Easy Rider (1969). That led to a lead in the drama Five Easy Pieces (1970), in which she played a hopeless beautician, for which she was nominated for an Academy Award and won a Golden Globe for Best Supporting Actress. Black made her first major commercial picture with the disaster film Airport 1975 (1974), and her subsequent appearance as Myrtle Wilson in The Great Gatsby (1974) won her a second Golden Globe for Best Supporting Actress. Black starred as a glamorous country singer in Robert Altman's ensemble musical drama Nashville (1975), also writing and performing two songs for the soundtrack, which won a Grammy Award for Best Score Soundtrack. Her portrayal of an aspiring actress in John Schlesinger's drama The Day of the Locust (also 1975) earned her a third Golden Globe nomination, this time for Best Actress. She subsequently took on four roles in Dan Curtis' anthology horror film Trilogy of Terror (1975), followed by Curtis's supernatural horror feature, Burnt Offerings (1976). The same year, she starred as a con artist in Alfred Hitchcock's final film, Family Plot. In 1982, Black starred as a trans woman in the Robert Altman-directed Broadway debut of Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, a role she also reprised in Altman's subsequent film adaptation. She next starred in the comedy Can She Bake a Cherry Pie? (1983), followed by Tobe Hooper's remake of Invaders from Mars (1986). For much of the late 1980s and 1990s, Black starred in a variety of arthouse, independent, and horror films, as well as writing her own screenplays. She had a leading role as a villainous mother in Rob Zombie's House of 1000 Corpses (2003), which cemented her status as a cult horror icon. She continued to star in low-profile films throughout the early 2000s, as well as working as a playwright before her death from ampullary cancer in 2013. Description above from the Wikipedia article Karen Black, licensed under CC-BY-SA, full list of contributors on Wikipedia. ​

From Wikipedia, the free encyclopedia.   Dale Alan Midkiff (born July 1, 1959) is an American actor. Description above from the Wikipedia article Dale Midkiff, licensed under CC-BY-SA, full list of contributors on Wikipedia

Jacob Chase was born on July 1, 1986 in Panorama City, California, USA as Jacob Samuel Chase. He is a director and writer, known for Come Play (2020), Larry (2017) and Amy (2015).

Ivan Kaye is internationally best known for his role as King Aelle in Vikings (2013-17). More recently, he has appeared as the goon leader Yankee in Gunpowder Milkshake (2021). Kaye has been interested in acting from early childhood. A remarkably versatile actor, he already had a successful stage career in London's West End in dramatic and musical theatre before starting his work in television and film in his early thirties. Since the beginning of the 1990s, he has been featured in over 50 roles in TV and film. Due to his enormous versatility, Ivan Kaye has been featured in a wide array of roles encompassing lead and main parts as well as antagonists, outright villains, and comical characters. Recent major productions and roles include: drug baron Polo Yakur in Assassination Games (2011), the Duke of Milan Ludovico Sforza in The Borgias (2011-2013), Joshua Collins (father of the main character played by Johnny Depp) in Dark Shadows (2012), Ivar the Boneless in Hammer of the Gods (2013), King Aelle of Northumbria in Vikings (2013-2017), pub landlord Mick Sturrock in The Coroner (2015-2016) and goon leader Yankee in Gunpowder Milkshake (2021). All of these productions have reached an international audience and have been dubbed in several languages. Kaye has also appeared in Layer Cake (2004) and is well-known in the UK as herdsman Bryan in BBC’s comedy series The Green Green Grass. From October 2017 to January 2018 he returned to theatre after almost twenty years, starring as Tom Kettle in the critically acclaimed multi-award-winning stage play The Ferryman at the Gielgud Theatre London. Kaye has also worked as a voice artist in several video games such as Star Wars The Old Republic, Stuntman, C-12 and more. As a founder and director of Comedy Ink Productions together with actor/writer Douglas McFerran, he has produced and acted as a lead in short comedic offerings such as the mini-series Brilliant! (2007), the short film Sherlock Holmes Confidential (2013) and his recent dark comedy short Acter (2020). Kaye has a reputation of being especially kind and appreciative towards his fans on social media and in person. He is a supporter of the Hounslow Urban Farm (where 'Green Green Grass' was partially filmed) and, with several other actors, the Justice for Andrew campaign, seeking justice for the murder of a young Liverpudlian. He has two grown-up daughters and lives in London.

Masaharu Sato is a Japanese voice actor affiliated with Aoni Production.

​From Wikipedia, the free encyclopedia.   Raini-Alena Rodriguez (born July 1, 1993) is an American actress and singer. She is known for her roles as Trish in the Disney Channel original series Austin & Ally, Maya Blart in Paul Blart: Mall Cop (2009) and Paul Blart: Mall Cop 2 (2015), and Tess in Prom (2011). She won Best Young Television Actress at the 2013 Imagen Awards. Rodriguez was born in Bryan, Texas, the daughter of Diane and Roy Rodriguez, who owns a business. She is the older sister of actor Rico Rodriguez II. Description above from the Wikipedia article Raini Rodriguez, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Trevor John Eve (nacido el 1 de julio de 1951) es un actor británico de cine y televisión. En 1979 ganó fama como líder homónimo en la serie de detectives Shoestring, y también es conocido por su papel como el Detective Superintendente Peter Boyd en el drama televisivo de la BBC Waking the Dead.

William Wyler (Mulhouse hoy Francia, entonces Alemania, 1 de julio de 1902 - Los Ángeles, 27 de julio de 1981) se trasladó a los Estados Unidos en 1921 y fue un prolífico y sobresaliente director de cine, tres veces ganador del Premio de la Academia. Wyler dirigió películas de todo tipo, sin ningún tipo de tema que fuera su marca personal en el cine. Pero sus películas estaban siempre bien hechas, resultaban bellas y su forma de rodar era reconocible, incluyendo innovaciones como la profundidad de campo (luego usada por Welles). Era conocido por realizar decenas de tomas de cada una de las escenas de sus películas, y por exigir gran control sobre la historia, las localizaciones y el personal de cada producción. Por ello es dudoso afirmar, como se hace, que Wyler, como Michael Curtiz, no tuvo su propio estilo particular. Hoy se le incluye entre los directores de cine más valiosos. Su naturaleza meticulosa y su atención al detalle fueron efectivos, y logró tanto el éxito popular como el de crítica no especializada. No construyó un conjunto de intérpretes como Capra, Sturges o Ford. Orson Welles le llamaba burlonamente un "brillante productor", pero más bien era un 'director-de-estudio' que supo trabajar muy bien y controlar las imposiciones de los estudios. Durante unos años ha sido un director no bien considerado. Seguramente el peso de la crítica francesa (Cahiers su Cinéma, Positif), que destacaban mucho a John Ford, Howard Hawks, Nicholas Ray o al propio Welles, que influyó con su desdén por Wyler en el crítico americano Andrew Harris (publicaba la edición inglesa de Cahiers). Así que The American Cinema (libro de Harris) se sumó a las voces sectarias al respecto de esas por lo demás excelentes revistas. Ahora bien, en contra de muchos de sus coetáneos, André Bazin (1918-1958) —un crítico tan importante, creador de Cahiers du Cinéma, autor de un Orson Welles—, señaló, en un gran texto sobre Wyler, cómo no era difícil reconocer su personal firma, al igual que sucedía con las películas de Lang, Ford o Hitchcock. Su ética de la puesta en escena, su personal ascesis, lograda con un trabajo riguroso con los actores (que expresan precisamente la acción), logró un gran "cine-escritura". El cine puro, decía Bazin, existe en muchas combinaciones narrativas, no es una materia independiente y aislable: "el cine es más bien un estado estético de la materia", y nadie ha sabido "contar mejor una historia en 'cine'" que Wyler. El Festival Internacional de Cine de Berlín le dedicó una retrospectiva en 1996, y poco a poco, pese a la ausencia de bibliografía francesa, se está siguiendo la senda valorativa de Bazin.

From Wikipedia, the free encyclopedia Hessy Doris Lloyd (3 July 1896 – 21 May 1968) was an English-American film, television and stage actress. Born in Liverpool, she went to the United States of America to visit a sister already living there. What was supposed to be a visit she made permanent. She spent several years (1916–25) appearing in Broadway theatre plays, notably a number of Ziegfeld Follies editions, and probably spent some time on the road in touring companies. She decided on a film career, making her first film in 1925. With the exception of returning to one Broadway play in 1947, her career was devoted to films and television. Lloyd appeared in over 150 films between 1925 and 1967, including the 1933 low-budget Monogram Pictures version of Oliver Twist, in which she played Nancy. Irving Pichel starred as Fagin and Dickie Moore as Oliver. Her roles ranged from the sinister Russian spy Mrs. Travers in the biopic Disraeli (1929) to the meek housekeeper Mrs. Watchett in The Time Machine (1960). Her most famous film roles were in the Tarzan films starring Johnny Weissmuller. She voiced one of the roses in Disney's Alice in Wonderland (1951), later making small appearances in Mary Poppins and The Sound of Music which both starred Julie Andrews.